End of an era

Miles 151
Carbon footprint 44kg
Expenses 15 euro hardware 150 euro on food for the pub night

Well, it's all over. I can't say I am sorry - it was such a strain really in the end on family, work, domestic life in general.

Anyway we arrived on Friday morning, en famille (it was the start of our holidays). A few people turned up with stuff, including Michael O' Brien with some amazing implements.

Clive and Sally turned up to finish work in the Handball alley with the graffiti project, looking a bit hassled and distressed. It turned out that some of the youngsters who were not signed up had been giving them serious grief and stealing paint cans and graffiting on the back of the handball alley.

To be fair to the youngsters, they did it out of sight. They could have sprayed somewhere really public and caused a lot of trouble for us, but I think they just wanted to have a go.

I had to talk to them about their disrespect and ask them to behave, basically. They only kind of listened to me - not really. Sally and Clive agreed to do 20 mins with them after the project had finished painting over the bad language stuff by showing them how to do something a little more cool.

At 2 pm Robin Wallace came by and took me down Shallee mine - so that was terrifying. 2 billion tons of unsecured rock over your head, water running and dripping everywhere, it was like something out of a nightmare really. We went on a circular route through some really dark tunnels and then had to clamber over a deep rushing river and around the edge of a bottomless pool. And as we got close to the entrance (luckily we could see daylight at the time) we heard a sound like a low-flying aircraft except it remained constant. I thought it must be a machine of some kind, but I couldn't think what machine would be operating so close. Then the two of us suddenly got really nervous that what we were hearing was the collapse of the entire cliff! I made a bit of a dart for the exit, but then it seemed to stop. Later I talked to a man who had been a miner and told him about it - he said 'oh you heard the rock creaking'. I asked him if it was really rock creaking and he said he didn't know, it might be water or wind in the tunnels, but that's what they call it.

We went to Nenagh in the afternoon to stock up on food and wellies for the kids, in preparation for an entirely wet summer holiday.

Saturday dawned and I had a lot to do, putting up the new stuff that had arrived. The marquee came at about 3.15 (cutting it fine!) and Melanie arrived - we went over some stuff in advance of her speech and it's possibly the first time I talked with her about the actual nature of the project from my perspective as an artist.

I think the important part was distinguishing between this stage which I see as an encounter and the final stage which is where I will interpret the encounter and create an artistic product, that is the publication.

So, everyone arrived, tea and buns arrived. It was a good crowd, a nice local mix. Of course I didn't manage to talk to loads of people but that's always the way.

Just as the speeches were beginning, my 4 year old who had been complaining of a pain in her tummy puked violently all over the place, and partly on the county manager. Andrew whisked her away and the speeches went on. I hate that part, I always want the ground to open up and swallow me.

In the evening I went to the pub with Andrew for the story and song night. We had arranged a local girl as a babysitter she was great. The evening was not really what I was hoping for but I met some people I had not really spoken to before and that was great.

Next morning we had to rush the 4 year old into the doctor as we started to get really worried about appendix. It was kind of inconclusive and the doc suggested we go back in the evening. I opened up just before mass ended and there was the most amazing gathering in the museum after mass, all the 'heavyweights' as Andrew called them, talking over the photos, the contents of the museum and so on. I was kicking myself that I had no recording gear set up. It was a great conversation.

Anyway, I took everything down and closed up and we rolled out of town. A bit like the circus really.

I think it worked. I think there was trust generated and good discussion and a real sharing of thoughts, memories, stories, ideas. Looking forward to starting work on the book.

And to top it all off, the sun came out for the whole week of our holidays. I felt like I had never seen the sun before.

Admin

6 hours doing admin and updating the website. Quite a lot of time spent on the phone.

second last weekend

Miles 151
Carbon footprint 39kg
Expenses Food 24 +65 euro (returned jigsaw)

I went to Nenagh to bring back the crap jigsaw that never worked. Arrived in Silvermines just before 10; the sun was out for a while, and it was nice setting up and getting things in place. Jim Quirke arrived with a few pieces for the collection and then Clive and Sally came. They showed me some images from the site-specific piece up at Shalee which is looking fantastic. They have taken sections of the toxicology maps and painted them onto the weird infrastructure up there. They have also been collecting mottos from Mining Companies and Mining Workers Unions and inscribing them as text works. (I’m not sure that they have quite got the massive and important political distinction between the motto of a Mining Company ‘Employ the People; Enrich Yourselves’ and that of a Mining Workers Union ‘Strength Through Unity’ but we will have that conversation at some point.)

I told them that so far only one person had signed up for the Youth Art project, none of the kids from the estate. They spotted a couple of the teenagers wandering down the road, and went off to see whether they were planning to join.

After a while they came back looking a bit 'frit' as my friend would say. 'None of the estate kids are doing it' said Sally. It turned out that Daryl would be on holidays, so his girlfriend won't do it, so her friend won’t do it, so the other two boys won't do it because the girls aren't doing it . . . . etc. etc.

We went on a bit of a campaign. C&S got in touch with Father Moloney who agreed to do a big announcement at mass and then they made big colourful posters.

After we had hung up the posters they headed off; I went to see Michael O' Brien to borrow his photo album. I met Pat Keane on the way back we had a chat and then I had to excuse myself so that I could listen to the Lyric FM programme. It was a bit heavy on the 'Space Shuttle' metaphor for my taste, a bit lacking in content. I'm not sure anyone would have a clue what I was up to from listening to it, although the whole context aspect got fairly well clarified.

I started work on a hand-drawn map of the area for the story map which in a way is the real heart of the psychogeography aspect. I wish I had been able to do it weeks ago, but I suppose you get there when you get there.

In the evening at about 6 an absolute deluge came in from the south-west; a real wall of blackness and rain with some incredibly loud and close thunderstorms. I felt quite nervous about being in a stainless steel box, so I went and sat in the campervan. There was just no let up - it went on and on for ages, with the thunder really close and prolonged.

Eventually I got bored and figured that if it was going to hit anything it would probably be the church steeple across the road, so I went back into the museum. I locked myself in so that I could get some work done (not due to open again until 7).

Then there was a banging on the door; I could not find the key so whoever was out there was standing in the absolute downpour. Finally, I found the key and opened the door to M, a young teenager from the area, who wanted me to drive her to a town about 10 miles away. 'I can't possibly do that' I said, and inquired where her parents were. She said they were all out or away, and that she was locked out of the house and could I lend her 10 euro to get a taxi. On the basis that if I didn't she was planning to hitch (in the dark and pouring rain) and knowing that I would probably not see the tenner again I agreed. I felt really nervous wondering if it was the right thing to do. Should I have turned her out in the rain? I just didn't know.

After mass a few kids came in to get forms for the youth art project, so Father Moloney had worked a bit of magic.

Sunday morning dawned quite bright and sunny; mass was absolutely chockablock. There was a bit of a rush after mass, some visitors and some people looking to register for the youth art.

Martina Finn arrived; she has taken over as Community Development officer having been Acting Arts Officer for the first two thirds of the residency. We talked over and around some stuff; on lots of things we really agree but there are aspects of the residency relationship that maybe neither of us handled that well so some lingering discomfort with that.

Darren and Pressure arrived, wondering whether they could still sign up for the Graffiti Project, but too cool to ask directly. First they had to spend a while insulting the project and then mine and Martina’s cars respectively (I’ll give you 300 for it). I do like them both – I doubt they will do the project though. They don’t really do 10 o clock in the morning, or 5 days a week – they just want to show up for the painting in the Handball Alley.

To close up I really emptied the place and turned it finally into a 'museum' for next week's finale. I went to see Tommy Hickey about the evening of story and song - he has already put up posters but seemed to think I would do MC!!!!!!!!! He has obviously never seen me in action in public. Completely hopeless on any kind of stage.

So, really looking forward to the end of this thing now, although it's been great but I am worn out and I am looking forward to working on the publication. In private.

First Weekend gig

Miles 150
Carbon Footprint 39 kg
Expenses 15 hardware, 20 food

I had to bring my young girls with me so we left home at 8.45 pm on Friday evening. It was really windy which is a bit nerve racking when I am driving the camper van as it kind of blows all over the road.

Anyway we arrived safely, though the girls were very nervous about the sound of the wind in the trees close by to where we had parked.

images from the evolving 'collection'

Opened up at about 8.30 and did some work setting up. I started work on the timeline which had previously been in the form of post-it notes and then set about putting up material. I had a few visitors including Anthony Collins, who was very proud to see his Miner's Helmet in the Nenagh Guardian! He had a great suggestion which was that I organise an evening of story, poem and song in the local pub. As he was talking a young man whom I had not seen before was looking at stuff; he turned out to be a documentary maker from Nenagh who is making a programme on Silvermines for TG4.

Quite a number of visitors throughout the day. At 3 pm we took off for Nenagh and did some shopping and various things, drove around the area showing Andrew some of the sights.

Sure enough, as predicted, cheap JigSaw turns out to be totally crap. Blade falls out immediately upon use.

I opened up again at 7pm and although there was a big crowd at 8 o clock mass just across the road, the rain had become a bit of a downpour by then so only one woman came by. It was good actually, because I spent the evening putting the threads in place which is an important aesthetic and conceptual addition to the display; it links material to different facts and dates within the 'annal' created by the timeline and obviously introduces physically the notion of 'drawing' meaning.

Sunday morning was quiet; Robin the documentary maker came back bringing two great gas masks that his dad had used during his time working in the Mogul mine. Things were relatively quiet until after lunch when there was a bit of a rush. In fact I didn't manage to close until 4 pm rather than 3 as I had planned.

I spoke to Tommy Hickey about the idea of the song night in the pub on the 18th as part of the closing event; he was totally enthusiastic. Robin Wallace will probably come and film that which will be fantastic.

Got home just after 6 pm.

Radio Interview

Miles 140
Carbon Footprint 37 kg
Expenses food 9 euro

Artzone, the Arts programme on RTE Lyric FM contacted me to say they were interested in doing a piece on the project. I arranged to meet the interviewer in Silvermines today to coincide with the Public Meeting in the evening regarding the Youth Art project.

I found his questions quite oblique - I mean I would start answering them but find that I was going round and round without being sure what I had been asked. So, I suspect that I am going to sound like a prize waffler. In particular I got really brain-dead around the question 'where is the art in this project' even though it was actually my own question!!!! and also on how this kind of relational work can be critiqued.

It's really clear to me that the Imaginary Museum is the encounter stage of the project; while that would count for something within the realm of relational aesthetics but that's not sufficient for me. Although the project is continuously evolving I suspect that the real art aspect will be in the publication.

In the evening Clive and Sally came for a public meeting regarding the Youth Art project. I expected parents - at least a few, but what we got were 11 kids, not all within the 10 - 16 age group. It was a fairly boisterous affair, but 8 kids took forms away with them so we will see who comes back to register.

Got home at 10.30.

Rain and more rain

Miles 151
Carbon Footprint 39 kg
Expenses assistant travel 60 euro food 24

Clive Moloney's picture from inside Shallee mine

Arrived in Nenagh at 9; bought some food and picked up my jigsaw from the Hardware shop. I feel a little nervous of a power tool which has typo mistakes on the packaging.

Anyway got to Silvermines and opened up for 10. Set about putting photographs on the wall. My daughter Eve was with me so she got various jobs to do. I decided to go for hand-writing the label information onto the walls with pencil. I think I preferred it without the writing, but then I would have to do a tour of the objects each time someone comes in, and for some reason I don't think that's right. It's not my role to be the guide to the objects, that comes from the people themselves. I have to maintain a certain distance from the Museum collection, because I don't want to get too identified with it, as though it's my collection.

Clive and Sally arrived and we talked through their proposal for a Youth Art project which is really good; they went off scouting around, putting up posters and things. Various people passed through, but not such a good stream as other days.

Word started to filter through the youth community about the 'graffiti' project. They started showing up in great numbers wanting to know if they could sign up immediately!

Clive, Eve and Sally headed up to the Shallee mine. Luckily they met someone there who is working on the rehabilitation projec and he promised to give them a safety tour of the area. He also took them into the actual mines, something that we hadn't done the previous week.
Had a few more people through in the afternoon; Tommy Hickey came carrying a folder with a great range of material - receipts dating back to the 1890's for land rental from Lord Dunally and all kinds of stuff.

After the evening session I brought the folder back to Hickey's pub and we had a drink and a chat and watched some television. I met someone whose father bred and trained a Cheltenham winning horse just outside of Silvermines - the father would almost certainly have loads of material but I can't seem to get out to visit people, I have to wait for them to come to me really.
The next morning was an absoloute deluge. A few of the young lads arrived and hung out for a while; then Melanie Scott came and we talked through various logistics around the project and the final event.

We will try to arrange some kind of afternoon tea and sandwiches event on Saturday 18th, with an official opening by the Mayor and maybe some local input - music? Singing?
I have to design some kind of invites and get them to the Arts Office for printing.
Towards the end of the meeting Michael O' Brien came by; I have been hoping to meet him for ages. We arranged that I would call to his house after 2.

A researcher from ARTZONE on RTE Lyric FM phoned to ask if they could send someone out to do a piece. We arranged for him to come next Wednesday, in advance of the public meeting to discuss the Youth Art project.

I called to Micheal O' Brien; he had a great wealth of interesting material - like that the main street used to be a river bed! Not that long ago, maybe 120 - 160 years. The mining activity drained away all of the water.

Also, a most wonderful story about John 'Fiery' Gleeson. When Macgobar came from Texas in the 1960's and decided that they wanted to mine in the area where the Dunally castle was, the government was more than happy to give them the rights to the minerals under the land (reminders of Shell). The farmers had no rights to the minerals under their land, so they really had no option but to sell up to Macgobar.

Some held out for longer (and for better prices) than others, but John 'Fiery' Gleeson, with some assistance, traced back the ownership of his farm to 1660, when Charles 2 granted it to his family in return for their loyalty to the crown during the Civil war and the Cromwell years. What made that so important was that the King was the owner of the mineral rights; so in that granting of the land the rights to the minerals remained with the Gleeson family! 'Fiery' got a big sum of money, though he was never prepared to say how much!

But as a final aside, he also got permission to remain in his house on the land while his mother was still alive - she went on to live to 100!!

The house was completely overgrown with ivy, but has now passed to a niece who is doing it up. It's a really interesting looking house - I didn't have my camera with me but will get a picture for next week.

Pat Keane was visiting with Sally and Clive when I returned; he brought me an old rabbit trap and an old primus blow torch.

Clive Moloney's pictures from inside Shallee mine

Shallee Mines at last

Miles 155
Carbon Footprint 40 kg
Expenses hardware 54 food 18

This is a short account of last week; had good passing trade, some interesting new additions to the 'collection' went to see the mines with Clive and Sally (recent art graduates) including the lake that has formed in the open cast mining at Magobar - "The Biggest Hole in Europe" literally.



Green colour of the lake is due to minerals; when they used to pump water out of this mine, the wells in the surrounding countryside would run dry.

This was the site of the Dunally castle that belonged first to the O' Kennedy's who were the chieftain in the area way back, and then passed into the hands of Col. Henry Prettie, a Cromwellian solider who was 'granted' land in Silvermines as pay for his services. His descendent later became a Lord and took the name Dunally after the castle.

Clive and Sally liberating a found object from Magcobar crushing plant

We also took a trip up to the old mine in Shallee - that was absoloutely amazing. To get there, you just have to look out for a really overgrown lane next to a farmhouse. It doesn't look like anything except that there are a couple of derelict 1950's buildings